02 December 2009

public service announcement

I'm taking a break from photos to tell you about something really important. This has been on my mind and heart for several months now, and I want to share it with you, and show you how you can help! :)

Every year, many hundreds or thousands of Nepalese girls are kidnapped or tricked into traveling to India. Some are "married" with the promise of a better life. When they arrive in India they are sold into sex shops where their lives are beyond miserable. If they don't die in the brothels, they are thrown onto the streets. The girls who do make it home are rejected by their families and communities. They have little hope for life beyond the brothels.

100% of my photography proceeds until the end of the year will be given to the Princess Home, a Christian rehabilitation center for young women rescued from the extensive sex-trafficking network of Nepal and India. These women receive care and job training...they are given hope for a new and better life. The organization also works to stop sex slavery, focusing on freeing women before they even cross the border into India. Read all about the Princess Home and their parent organization, Tiny Hands International, here: http://bit.ly/1Ok6lT Looking through the photos and stories of these girls, and the hope that the Princess Home gives to them, it is hard not to be affected.

During this holiday season, please consider purchasing artwork to benefit a much larger cause. The stakes are high, and
it does not take much money to completely change another person's life. Tiny Hands estimates that it only takes $10 to stop one woman from being enslaved.

If you're thinking about buying art for someone this Christmas, consider buying from my Etsy shop! Thanks for reading!

15 November 2009

More engagement pictures!

These are pictures of my brother and his now-wife, Jim and Kelsey. I took these shots in March, as soon as it was (barely) warm enough to spend time outside. It was my first time doing engagement pictures, and looking back I wish I'd have done a lot of things differently. I didn't have a lot of creativity in the poses and prompts ("OK, now kiss him - can you both move closer together - not too close - your hair is sticking up weird - touch your noses together - can you both lay on the ground - move your left leg out a bit") that I've become at least a little more better at recently. Hopefully they'll let me take them out again, and do it right. Or at least, better. Everything is a lesson, right?

The bench they're sitting on for some of the shots is the exact place they got engaged. :) It's in a park not too far from my parents' house.

13 November 2009

discovering why i take pictures

I have a wonderful husband. Sometimes I think he knows me better than I know myself. (And sometimes he doesn't have a clue, but for that I can't blame him in the least...I confuse myself sometimes.)

He came in just now, after I wrote that first sentence. :)

Anyways, lately, I've been frustrated with where I am in my, I guess I can say, photographic journey. Or something like that. Basically, I've been taking my camera out, and don't see things to photograph. I feel really blank and uninspired. Does it have something to do with trying to sell my art? Probably. But the observation my insightful husband offered was this: My pictures are a kind of story of my life, in that I don't usually go out to take pictures, but I take my camera with me, and photograph what I see while I'm doing life. Most of my great photos have been taken while I was there doing something else.

This might seem like splitting hairs, but I think it's a really significant difference. Deciding to drive to the park and shoot for a while is scientific, dogmatic. Going to the park on a picnic with friends, though, is a fun experience, and I think that frees me to be creative. I can't suddenly decide at that very moment do something passionate. So I think I've realized that my creative motivation comes from very nonvisual things, like love and fun and eating and belonging. I think these things bring out a spirit of wonder.
And at the very least, when I'm not focused on photographing anything, not requiring myself to take epic photos, I am freer to really, truly see what's around me.

So, the photos I'll leave you with are some of my favorites, and they're a great example of what I'm talking about. They're all closeup shots of rusting, decaying metal things. Beauty in atrophy, is what I call them (when I have to name them). I took them on my grandparents' farm, while I was on a walk with my little sister. She kept pestering me to keep going, but I just HAD to keep taking these! And I had just happened to grab my camera as we meandered out the door. :)

a winter garden, or buds covered in an early frost


cinnamon vortex, or a cappucino swirl


seeing the world from above


fire dancer...a man walking through flames

27 October 2009

engagement pictures


A lot has changed since I wrote my last post in May. The biggest event was definitely getting married! :) These are some of the engagement pictures we took of ourselves a few months before our wedding. It's taken me forever to put them, or anything else, up here!

This summer also brought a move into a new apartment with my husband, and my final semester of undergrad studies. I'll graduate in December with a major in English and a minor in History. Right now my world is a flurry of wifely duties (which I simply adore) and scholarly assignments (which I usually also adore, though not in the same way). On today's agenda: write a basic overview of the Great Vowel Shift. Fascinating, isn't it? For me, yes, actually. It is.

But this blog is about photography, not linguistics. I haven't done a lot of shooting on my own this summer, mostly because of the busyness of this summer (my brother got married too, just a month before mine!). I have continued to sell photography at my Etsy shop, and I was also part of the Cathedral Art Show this past month - my first art show ever! It was a success, and a lot of fun.

But my main concentration this summer and fall has been taking engagement pictures. This is a relatively new development in my photographic journey, but one I've welcomed and enjoyed thoroughly. My first attempt was when my now-husband and I took these, with a tripod and remote. Since then I've done it several times (without a remote) and really had a lot of fun. I've really loved the creativity and spontaneity of these kinds of shoots.

I'd really love to do this more in the future, so I'm officially taking inquiries, if you know someone who's getting married soon! I'd also love to take senior photos, family shots and that kind of thing. Email me at pinksheriff@gmail.com if you're interested.

In my next few posts I'll share some pics of my last shoots, assuming the couples don't have any objections. :) Thanks for reading!

15 May 2009

branches vs. infrared

i have really loved tree photos lately...those dead branches, scraggly and sometimes menacing, make for dramatic art. But since spring has sprung, and the once-dead branches are clothing themselves with bright leaves and flowers, the high drama is no more to be seen. I probably drove by a particular lake 50 times, telling myself I HAD to photograph how those dead branches looked when reflected in the water, but now they are full and green trees.

BUT today I was reinvigorated because I remembered that summer has a unique opportunity of its own, and that is the chance to do infrared photography. I've put a few IR pictures up before and maybe explained it some on Facebook, but IR photography is basically capturing a specific band of light on the spectrum in your camera - a specific band that our eyes can't see. So to see that band, you have to block out everything EXCEPT IR light. To do this in your camera, you just put an IR filter on the front of your lens (it just screws on) and then take a very long exposure to allow only IR light to find its way to the camera's sensor. (You can actually just alter your camera to get rid of the IR blocking mechanism inside it, which means you would only be able to take IR pictures, and you wouldn't need long exposures. Cost is somewhere around a few hundred dollars to alter a camera.) The reason you need a very long exposure is because your camera is (probably) fitted with an IR blocking filter already - I'm not real clear on why this is in there, but it's not perfect, and so as long as you block out most of the 'regular' light, the IR part of the spectrum will come through.

Where do you get this filter, you might ask? I ordered mine, a Hoya R72, from a very shady outfit in Hong Kong. It took several weeks to arrive, and I wasn't really sure that it would, but it did, and I paid quite a bit less than I otherwise would've. The Hoya brand is a very well known name in camera filters, and the Hoya R72 is pretty much THE infrared filter to get. I'd recommend name brand filters if you can afford them. I think I paid about $50 for my R72 - including shipping. Elsewhere you can easily pay $75-80. Just look around for the best deal.

There is a bit more to it than putting the filter on. First, you have to set a custom White Balance: take a photo of green grass using the filter and set WB to that image. This will keep your photo from looking helplessly bright orange. You will also have to do plenty of work in Photoshop - even with custom WB, the shots look pretty crappy right out of the camera. This processing is a kind of subjective part that I can't really advise about, because I do it differently every time and I am sure there is some 'correct' way to process IR photos, but I just play until they look good. :) Classic film IR shots are grainy and 'glowy' like the one here with the columns, so you could go with that look too. Basically IR work needs a lot of patience, before, during and after the shot.

Oh yeah, and did I mention you can't see THROUGH the IR filter? It blocks visible light, remember? So you have to set up your scene (use a tripod if you possibly can), THEN put the filter on and take the long exposure. You will probably want to use a remote too, to avoid camera shake from pressing the button. And by long exposure I'm talking between 5-20 seconds. So....it's best to pick a day that isn't too windy, unless that's the look you're going for - which is altogether possible! I've taken plenty of shots, IR and otherwise, that worked with the motion blur from windy days, instead of fighting it (see the windy IR grass here). Essentially, it all boils down to the fact that, unless you can spend enough money for a dedicated IR camera, you just have to spend lots of time getting used to the process of IR photography.

I think it's worth it... :)